Starring : Vijay Sethupathi, Ashwin, Nanditha, Swathi, Pasupathi
Direction : Gokul
Music : Siddharth Vippin
Production : JSK,Leo Vision ,Studio 9
Vijay Sethupathi has proved himself to be a truly versatile actor. He can do all kinds of movies. No, really, he can. With “Idharkuthane Aasaipattai Balakumara”, he has convinced me that he can also do absolutely awful movies. But before you call me a crazy contrarian and tell me to go beep myself, let me make it clear that it is not Sethupathi’s fault that this movie sucks so bad.
Another day. Another new Tamil film with a message. I wonder if “..Balakumara” releasing on a dry day like Gandhi Jayanthi is some sort of a coincidence. Because, at heart, the film is a moral science lesson about the ills of consuming alcohol dressed up as a comedy. But since the film is as funny as a screen door on a battleship, all we are left with is the goddamn message. The film has its liver in the right place but the kind of situations the characters are put in to convey the point that “Liquor Ruins Country, Family, and Life” are laughably bad. As if those tobacco/alcohol disclaimers before every film weren’t enough.
Sethupathi plays Kumar, who in the words of Kumudha, the girl he fancies, is a “love ‘kum eve-teasing ‘kum vidhiyasam theriyathavan”. He calls himself Sumaar Moonji Kumar because some people apparently find that funny. Ashwin plays Bala, a bad boyfriend in the eyes of his demanding girlfriend Renu and an inept employee in the eyes of his tasking boss. That the film blames alcohol for their behavior and not because they are simple, old-fashioned jerks is what I just don’t get. Sure, Sethupathy’s Kumar is way too likable to fault, but even he goes overboard with his “loosu paiyan” act.
Saying Writer-Director Gokul’s screenplay is all over the place is putting it lightly. A film like “..Balakumara” which follows multiple storylines should be like a house of cards. You take out a single card and the structure is just not the same anymore. A sum of its parts. One could chop entire storylines here and still not miss much. It would still remain the same appalling movie. You just know that paths would eventually cross but there’s no joy in watching all these stories connect to each other.
All I wanted was to see more of Sethupathy. He doesn’t get much to play with but he still does everything to lighten up his portions. Humor is subjective and all that but I was completely taken aback by how embarrassingly unfunny this film was. I haven’t seen “Vaa Quarter Cutting” but I did hear some horror stories from people who did. Kumar’s search for alcohol in the middle of the night is reminiscent of the former film.
The other plots in the film include a couple expecting their first child and a wife who has her husband killed by two people who are smitten with her. Why the film even needed a murder mystery is a bigger mystery to me. There’s a dead man sitting inside a Tasmac bar and the attitude of people who have something to do with it is so uncharacteristic. In one scene you see the film going all grim during an accident and, moments later, the music is back to its jumpy self. There’s even a love failure song which Sethupathi dances to. The jarring tonal shifts belittle the tragedy that the characters are trying to avoid. Nothing is sacred and everything is expendable in the name of comedy.
I had such a horrible time I regularly contemplated walking out of the movie. But then again, I didn’t want to be the guy who walked out of a “Vijay Sethupathy” film.
Verdict : An extremely disappointing, painfully unfunny comedy featuring a mildly entertaining Vijay Sethupathi.
